
Intermediate- Level 2
Intermediate- Level 2
Intermediate- Level 2
Bringing Gamakas to Life
Bringing Gamakas to Life
Bringing Gamakas to Life
In this course, you will learn how to breathe life into your playing. Master four traditional Pillari Geethams by applying your Gamaka knowledge to transform simple notes into beautiful, authentically ornamented music.
In this course, you will learn how to breathe life into your playing. Master four traditional Pillari Geethams by applying your Gamaka knowledge to transform simple notes into beautiful, authentically ornamented music.
In this course, you will learn how to breathe life into your playing. Master four traditional Pillari Geethams by applying your Gamaka knowledge to transform simple notes into beautiful, authentically ornamented music.
This journey has deepened my appreciation for Carnatic music

-Maran(USA)



Curated Curriculum
Lifetime Access
Downloadable Notes
This journey has deepened my appreciation for Carnatic music

-Maran(USA)
This journey has deepened my appreciation for Carnatic music

-Maran(USA)
This journey has deepened my appreciation for Carnatic music

-Maran(USA)
This journey has deepened my appreciation for Carnatic music

-Maran(USA)
Problem Faced

Most learners can play swaras and songs in plain notes, but their flute lacks the true Carnatic flavor.

Most learners can play swaras and songs in plain notes, but their flute lacks the true Carnatic flavor.

Most learners can play swaras and songs in plain notes, but their flute lacks the true Carnatic flavor.

Without Gamakas ragas sound flat, and even film songs don’t capture their expressive depth.

Without Gamakas ragas sound flat, and even film songs don’t capture their expressive depth.

Without Gamakas ragas sound flat, and even film songs don’t capture their expressive depth.

Gamaka techniques are often taught randomly in live classes, leaving students confused.

Gamaka techniques are often taught randomly in live classes, leaving students confused.

Gamaka techniques are often taught randomly in live classes, leaving students confused.

Geethams become confusing if swaras, sahitya (lyrics), and thala are not taught together.

Geethams become confusing if swaras, sahitya (lyrics), and thala are not taught together.

Geethams become confusing if swaras, sahitya (lyrics), and thala are not taught together.

Without learning Geethams, it’s hard to progress to kritis and advanced Carnatic music.

Without learning Geethams, it’s hard to progress to kritis and advanced Carnatic music.

Without learning Geethams, it’s hard to progress to kritis and advanced Carnatic music.
What You Will Learn

Master Four Foundational Geethams
Learn 4 traditional Pillari Geethams (Lambodhara Lakumikara, Kundhagowra, Kereya Neeranu, Padhumanabha).

Master Four Foundational Geethams
Learn 4 traditional Pillari Geethams (Lambodhara Lakumikara, Kundhagowra, Kereya Neeranu, Padhumanabha).

Master Four Foundational Geethams
Learn 4 traditional Pillari Geethams (Lambodhara Lakumikara, Kundhagowra, Kereya Neeranu, Padhumanabha).

Connect Melody, Rhythm, and Lyric
Develop a deep understanding of swara (note) and sahitya (lyric) placement within the thala (rhythm cycle) through essential vocal practice.

Connect Melody, Rhythm, and Lyric
Develop a deep understanding of swara (note) and sahitya (lyric) placement within the thala (rhythm cycle) through essential vocal practice.

Connect Melody, Rhythm, and Lyric
Develop a deep understanding of swara (note) and sahitya (lyric) placement within the thala (rhythm cycle) through essential vocal practice.

Apply Your Skills to the Flute
Learn to play each Geetham step-by-step, first with plain notes for accuracy, then by skillfully applying the correct gamakas for expression.

Apply Your Skills to the Flute
Learn to play each Geetham step-by-step, first with plain notes for accuracy, then by skillfully applying the correct gamakas for expression.

Apply Your Skills to the Flute
Learn to play each Geetham step-by-step, first with plain notes for accuracy, then by skillfully applying the correct gamakas for expression.

Build Line-by-Line Confidence
Our methodical approach ensures you can both sing and play each line of the composition without confusion or hesitation.

Build Line-by-Line Confidence
Our methodical approach ensures you can both sing and play each line of the composition without confusion or hesitation.

Build Line-by-Line Confidence
Our methodical approach ensures you can both sing and play each line of the composition without confusion or hesitation.

Watch & Learn from the Master
Each Geetham includes a full reference performance with gamakas, providing a clear, aspirational goal for your own practice.

Watch & Learn from the Master
Each Geetham includes a full reference performance with gamakas, providing a clear, aspirational goal for your own practice.

Watch & Learn from the Master
Each Geetham includes a full reference performance with gamakas, providing a clear, aspirational goal for your own practice.

Prepare for the Next Level
Builds the essential foundation needed to confidently approach kritis and other advanced compositions in your musical journey.

Prepare for the Next Level
Builds the essential foundation needed to confidently approach kritis and other advanced compositions in your musical journey.

Prepare for the Next Level
Builds the essential foundation needed to confidently approach kritis and other advanced compositions in your musical journey.
2+ Hours Of Content
2+ Hours Of Content
2+ Hours Of Content
Pillari Geethams: Level 2
Pillari Geethams: Level 2
MODULE 1
Introduction to Geethams
Welcome
Introduction to Geethams
MODULE 1
Introduction to Geethams
Welcome
Introduction to Geethams
MODULE 1
Introduction to Geethams
Welcome
Introduction to Geethams
MODULE 2
Geetham – 1 (Lambodhara Lakumikara)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 1 on flute with gamakas (reference)
MODULE 2
Geetham – 1 (Lambodhara Lakumikara)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 1 on flute with gamakas (reference)
MODULE 2
Geetham – 1 (Lambodhara Lakumikara)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 1 on flute with gamakas (reference)
MODULE 3
Geetham – 2 (Kundhagowra)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 2 on flute with gamakas (reference)
MODULE 3
Geetham – 2 (Kundhagowra)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 2 on flute with gamakas (reference)
MODULE 3
Geetham – 2 (Kundhagowra)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 2 on flute with gamakas (reference)
MODULE 4
Geetham – 3 (Kereya Neeranu)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 3 on flute with gamakas (reference)
MODULE 4
Geetham – 3 (Kereya Neeranu)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 3 on flute with gamakas (reference)
MODULE 4
Geetham – 3 (Kereya Neeranu)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 3 on flute with gamakas (reference)
MODULE 4
Geetham – 4 (Padhumanabha)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 4 on flute with gamakas (reference)
MODULE 4
Geetham – 4 (Padhumanabha)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 4 on flute with gamakas (reference)
MODULE 4
Geetham – 4 (Padhumanabha)
Swarās with thala (vocal)
Sahitya with thala (vocal, line by line)
Step-by-step on Carnatic flute (plain notes)
With gamakas on flute (step by step)
Complete Geetham – 4 on flute with gamakas (reference)

Discover the Carnatic Flute: The Soul of South Indian Music
About
The Carnatic flute, or venu, is one of the oldest instruments in South Indian classical music. Known for its soulful, human-like voice, it captures the essence of devotion and expression. Its unique design and playing style make it a cornerstone of Carnatic concerts, seamlessly blending tradition with artistry.
Origin
Karnataka, India

Structure
Thick-walled bamboo with eight holes for precise microtone

Sound
Warm, expressive tones with slides and oscillations unique to Carnatic music.


Discover the Carnatic Flute: The Soul of South Indian Music
About
The Carnatic flute, or venu, is one of the oldest instruments in South Indian classical music. Known for its soulful, human-like voice, it captures the essence of devotion and expression. Its unique design and playing style make it a cornerstone of Carnatic concerts, seamlessly blending tradition with artistry.
Origin
Karnataka, India

Structure
Thick-walled bamboo with eight holes for precise microtone

Sound
Warm, expressive tones with slides and oscillations unique to Carnatic music.


Discover the Carnatic Flute: The Soul of South Indian Music
About
The Carnatic flute, or venu, is one of the oldest instruments in South Indian classical music. Known for its soulful, human-like voice, it captures the essence of devotion and expression. Its unique design and playing style make it a cornerstone of Carnatic concerts, seamlessly blending tradition with artistry.
Origin
Karnataka, India

Structure
Thick-walled bamboo with eight holes for precise microtone

Sound
Warm, expressive tones with slides and oscillations unique to Carnatic music.

About Your Instructor

A Life Dedicated to the Carnatic Flute
For over three decades, music has been the language through which I’ve expressed myself, taught, and connected with people. As a professional flautist, I have performed in 1,500+ concerts across India and abroad, bringing the soulful sound of the bamboo flute to audiences from small gatherings to grand stages.
But my true calling has been in teaching. What began as a passion to share my knowledge has now touched the lives of students in 20+ countries, across all age groups, from 10 to 55. Many of them started as complete beginners and today, they play confidently, carrying forward the tradition of Carnatic music.
1500+
Concerts Worldwide
134K+
Youtube Subscribers
30+
Years of experience
About Your Instructor

A Life Dedicated to the Carnatic Flute
For over three decades, music has been the language through which I’ve expressed myself, taught, and connected with people. As a professional flautist, I have performed in 1,500+ concerts across India and abroad, bringing the soulful sound of the bamboo flute to audiences from small gatherings to grand stages.
But my true calling has been in teaching. What began as a passion to share my knowledge has now touched the lives of students in 20+ countries, across all age groups, from 10 to 55. Many of them started as complete beginners and today, they play confidently, carrying forward the tradition of Carnatic music.
1500+
Concerts Worldwide
134K+
Youtube Subscribers
30+
Years of experience
About Your Instructor

A Life Dedicated to the Carnatic Flute
For over three decades, music has been the language through which I’ve expressed myself, taught, and connected with people. As a professional flautist, I have performed in 1,500+ concerts across India and abroad, bringing the soulful sound of the bamboo flute to audiences from small gatherings to grand stages.
But my true calling has been in teaching. What began as a passion to share my knowledge has now touched the lives of students in 20+ countries, across all age groups, from 10 to 55. Many of them started as complete beginners and today, they play confidently, carrying forward the tradition of Carnatic music.
1500+
Concerts Worldwide
134K+
Youtube Subscribers
30+
Years of experience
Pricing Plan
Standard Plan
₹2,999
Pre-recorded video lectures
PDF course notes
Certificate of completion
Access to course virtual community
Course upgrade at zero cost
Access to quarterly masterclass
Standard Plan
₹2,999
Pre-recorded video lectures
PDF course notes
Certificate of completion
Access to course virtual community
Course upgrade at zero cost
Access to quarterly masterclass
Standard Plan
₹2,999
Pre-recorded video lectures
PDF course notes
Certificate of completion
Access to course virtual community
Course upgrade at zero cost
Access to quarterly masterclass
Premium Plan
₹3,999
Pre-recorded video lectures
PDF course notes
Certificate of completion
Access to course virtual community
Course upgrade at zero cost
Access to quarterly masterclass
Premium Plan
₹3,999
Pre-recorded video lectures
PDF course notes
Certificate of completion
Access to course virtual community
Course upgrade at zero cost
Access to quarterly masterclass
Premium Plan
₹3,999
Pre-recorded video lectures
PDF course notes
Certificate of completion
Access to course virtual community
Course upgrade at zero cost
Access to quarterly masterclass
Frequently Asked Questions
Is this course for absolute beginners?
No. You should complete basics (Levels 1–3) and Gamaka Mastery – Level 1: Foundations of Gamakas before starting this.
Is this course for absolute beginners?
No. You should complete basics (Levels 1–3) and Gamaka Mastery – Level 1: Foundations of Gamakas before starting this.
Is this course for absolute beginners?
No. You should complete basics (Levels 1–3) and Gamaka Mastery – Level 1: Foundations of Gamakas before starting this.
Why do we sing before playing?
Why do we sing before playing?
Why do we sing before playing?
Will you show exactly where to add gamakas?
Will you show exactly where to add gamakas?
Will you show exactly where to add gamakas?
Do I need to know the language of the sahitya?
Do I need to know the language of the sahitya?
Do I need to know the language of the sahitya?
How much should I practise daily?
How much should I practise daily?
How much should I practise daily?
Will I play complete Geethams by the end?
Will I play complete Geethams by the end?
Will I play complete Geethams by the end?
Are the lessons live or recorded?
Are the lessons live or recorded?
Are the lessons live or recorded?
Do I need a new flute for this?
Do I need a new flute for this?
Do I need a new flute for this?


